Russian Studies Department

Professor: Alexis Klimoff (Chair); Associate Professor: Dan Ungurianuab; Assistant Professor: Nikolai Firtich; Instructor: Viktoria Ivleva.

ab Absent on leave for the year.

Requirements for Concentration: 10 units beyond introductory language; including 331/332 or equivalent, 135/235, 152/252, plus 3 units in literature or culture at the 300-level.

Senior-Year Requirements: 2 units of advanced course work. Senior thesis (300) is required of students who are candidates for departmental honors.

Recommendations: Study of the language should be started in the freshman year. Study at an accredited summer school is strongly urged. Study Away in Russia through approved exchange programs.

A Teaching Certification program is available.

Advisers: The department.

Correlate Sequence in Russian Studies: Four semesters of the Russian language (or equivalent) and three additional units in culture, literature and/or language, one of which must be at the 300-level. Entering students with advanced proficiency in Russian are required to take five units in literature and/or culture, at least two of which are at the 300-level.

I. Introductory

105a-106b. Elementary Russian (1 1/2)

The essentials of grammar with emphasis on the development of oral-aural proficiency. The department.

Open to all classes. Five 50-minute periods plus two hours of oral practice.

107b. Intensive Introductory Russian (2)

Single-semester equivalent of Russian 105-106. Intensive training in fundamental language skills. Designed for beginning students who wish to accelerate their learning of Russian. Ms. Ivleva.

Open to all classes.

Five 75-minute periods, plus four 30-minute drill and conversation sessions.

135a. The Russian Classics: The Great Realists of the Nineteenth Century (in English) (1)

The great tradition of Russian literature with its emphasis on ultimate existential and moral questions. Selected works by such nineteenth-century masters as Pushkin, Gogol, Turgenev, Tolstoy, and Dostoevsky. Mr. Firtich.

Open to all classes. Readings and lectures in English. Russian majors see 235a.

Two 75-minute periods.

141b. Tolstoy in Battle (1)

The representation of war in Tolstoy’s fiction, centered on a detailed analysis of War and Peace, with this classic novel considered in the context of the writer’s earlier and later war narratives, including Sebastopol Tales and “Hadji Murat.” Mr. Firtich.

All readings and discussions in English.

Open to all classes.

Two 75-minute periods.

152b. The Russian Modernists (in English) (1)

Outstanding works of major twentieth-century Russian writers, with emphasis on those who broke with the realist tradition of the nineteenth century. Mr. Klimoff.

Open to all classes. Readings and lectures in English. Russian majors see 252b.

Two 75-minute periods.

165a. In Search of Mother Russia (1)

A survey of selected features of the prerevolutionary cultural tradition within a historical framework. Topics explored include folklore, the religious world of medieval Russia with special emphasis on art and architecture, the inroads of secular culture, the challenges of Westernization, and the emergence of national traditions in literature, art, and music. Given in English. Mr. Klimoff.

Open to all classes.

Two 75-minute periods plus regular film screenings.

[169b. Utopia in Power: Russian Culture in the Twentieth Century] (1)

A survey of modern Russian culture in its historical context. Topics include cultural and social revolutions, the Red Avant-Garde, Socialist Realism, the creation of the New Man, the Great Terror, the totalitarian system and its collapse, the dissident movement, ethnic identity and ethnic conflicts, Russian rock and pop music, post-Communist Russia. Mr. Ungurianu.

Open to all classes. All readings and discussions are in English.

Two 75-minute periods, plus regular film screenings.

Not offered in 2006/07.

[171b. Russia and the Short Story (in English)] (1)

In this course we read and discuss a number of classic short stories by such Russian masters of the genre as Gogol, Turgenev, Chekhov, Babel, and Olesha. Mr. Klimoff.

Satisfies college requirement for a Freshman Course.

Two 75-minute periods.

Not offered in 2006/07.

[185a. History Imagined: Masterpieces of Russian Historical Fiction in their (1)

European Contexts]

A study of selected historical novels from the nineteenth and early twentieth centuries with a focus on the poetics of the genre and its evolution. Authors studied include Alexander Pushkin, Nikolai Gogol, and Leo Tolstoy in their relation to Sir Walter Scott, Victor Hugo, and Gustave Flaubert. Mr. Ungurianu.

Open to all classes. All readings and discussion in English.

Two 75-minute periods.

Not offered in 2006/07.

II. Intermediate

210a-211b. Intermediate Russian (1)

Review of the basics of grammar and analysis of more complex grammatical phenomena through the study of literary, historical, and newspaper texts, composition, and discussion. The department.

Prerequisite: Russian 105-106 or permission of instructor.

Four 50-minute periods plus one hour of oral practice.

231a. Russian Screen and Stage (1)

Aspects of Russian film, drama and performing arts.

Topic for 2006/07: Russian and Soviet Cinema in its European Context. A survey of Russian and Soviet cinema from the 1920s to 2000. Films considered include the early masterpieces directed by Eisenstein, Dovzhenko, Vertov and others; the productions of the Stalin era; the movies dating from the post-Stalin “Thaw” and from the following two decades, including the great works of Tarkovsky and Paradjanov; films from the years of “glasnost” and beyond. Readings include critical and theoretical articles by filmmakers and literary scholars. All readings and discussion in English. Mr. Firtich.

Prerequisite: One of the following courses: Russian Studies 135, 152, 165, 169, Film 175, or permission of instructor.

Two 75-minute periods, plus regular film screenings.

235a. The Russian Classics: The Great Realists of the Nineteenth Century (1)

Individually designed for Russian majors and other students with some knowledge of Russian. Students in this course attend the same lectures and discussions as those in Russian 135, but are required to do part of the work in Russian.

By permission of instructor.

252b. The Russian Modernists (1)

Individually designed for Russian majors and other students with some knowledge of Russian. Students in this course attend the same lectures and discussions as those in Russian 152, but are required to do part of the work in Russian.

By permission of instructor.

[267b. Culture and Ideology] (1)

Topic: The Russian Avant-Garde in Literature and Art. Russian painters and writers made a huge contribution to the European avant-garde movement, with Malevich and Khlebnikov being the best known names. This course offers a survey of the Russian phase of movement from its origins in the nineteenth century to its violent suppression by the Soviet regime in the 1920s. All readings and discussion in English. Mr. Firtich.

Prerequisite: One of Russian 169, 152, 135, 165, or permission of the instructor.

Not offered in 2006/07.

[271b. Focus on Literature] (1)

Aspects of the Russian literary tradition—including authors, genres, and thematic emphases—and the place of this tradition in world literature.

Not offered in 2006/07.

298. Independent Work ( 1/2 or 1)

Program to be worked out in consultation with an instructor. The department.

III. Advanced

Prerequisite for all advanced courses: Russian 210-211. Additional prerequisites indicated where appropriate.

300a or b. Senior Thesis (1)

331a/332b. Advanced Russian (1)

A course designed to increase all aspects of Russian proficiency. Includes readings on a wide range of topics, discussion, oral reports, stylistic analysis, written assignments, and review of persistent grammatical difficulties. The department.

Three 50-minute periods, plus one hour of conversational practice.

371b. Seminar on Russian Culture (1)

Advanced seminar on Russian culture. Designed for majors and students with sufficient knowledge of Russian.

Topic for 2006/07: The Myth of St. Petersburg. In this course, we explore the myth of the imperial Russian capital, founded by Peter the Great in the early eighteenth century as a “window on Europe.” The city has been seen to embody all of the contradictions of Russia: East vs. West, imperial grandeur vs. the pathos of the little man, nature vs. civilization, free will vs. fate. We consider the semiotics of space in St. Petersburg through a careful reading of selected literary texts—both prose and poetry—including Pushkin, Gogol, Dostoevsky, Blok, Bely, Akhmatova, Mandelstam, and Brodsky, as well as some works of literary and cultural criticism. Mr. Firtich.

Conducted in Russian.

Prerequisite: Russian 331 or equivalent.

Two 75-minute periods plus weekly film screenings.

373a. Seminar on Russian Literature (1)

Focused analysis of an author, work, theme, genre, or literary school in the nineteenth or twentieth century.

Topic for 2006/07: Dostoevsky’s Crime and Punishment. A close reading of the Russian novel, taking into consideration the literary and cultural contexts that influenced the writing of this work, as well as the critical responses in both East and West. Mr. Klimoff.

Conducted in Russian.

Prerequisite: Russian 331 or permission of the instructor.

One 3-hour period.

399. Senior Independent Work ( 1/2 or 1)

Program to be worked out in consultation with an instructor. The department.

Vassar Program in St. Petersburg

105a. Elementary Russian (1- 1/2)

The essentials of grammar with emphasis on the development of oral-aural proficiency.

166a. Facets of Russian Culture (1)

Selected aspects of Russian culture presented in historical context. Includes consideration of architectural, literary, musical, theatrical, and other notable expressions of Russia’s creative spirit. Given in English.

Three hours per week, plus excursions.

175a. The Hermitage Collection Through History (1)

A survey of the major collections of the Hermitage Museum’s paintings and prints, presented in the context of the history of their acquisition, exhibition, and appreciation. Given in English.

Three hours of lectures per week, plus extensive viewing of art in the museum.

176a. Icons to Avant-Garde: Russian Art in St. Petersburg (1)

A historical survey, based on the exhibits of Russian art in several museums of St. Petersburg. Given in English.

Three hours of lectures per week, plus extensive viewing of museum art.

210a. Intermediate Russian (1)

Review of the basics of grammar and analysis of more complex grammatical phenomena through the study of literary, historical, and newspaper texts, composition, and discussion.

275a. The Hermitage Collection Through History (1)

(Same as 175) The 275 option is available for students who have taken Art 105-106 at Vassar College or the equivalent elsewhere. Involves additional meetings with the instructor in connection with an individualized research project. May be counted toward Art History major credit.

276a. Icons to Avant-Garde: Russian Art in St. Petersburg (1)

(Same as 176) The 276 option is available for advanced students who undertake individualized research in addition to 176. May be counted toward Art History major credit.

331a. Advanced Russian (1)

A course designed to increase all aspects of Russian proficiency. Includes readings on a wide range of topics, discussion, oral reports, stylistic analysis, written assignments, and review of persistent grammatical difficulties.